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	<title>Comments on: ct_collective (cassette tape collective)</title>
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	<link>http://dynamicmedianetwork.org/collectives/ct_collective-cassette-tape-collective</link>
	<description>Dynamic media: a research project about the co-evolving transformations of creation, code and life. This research was supported under the Australian Research Council&#039;s Discovery Projects funding scheme.</description>
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		<title>By: Mat Wall-Smith</title>
		<link>http://dynamicmedianetwork.org/collectives/ct_collective-cassette-tape-collective/comment-page-1#comment-1998</link>
		<dc:creator>Mat Wall-Smith</dc:creator>
		<pubDate>Mon, 09 Jul 2007 13:14:48 +0000</pubDate>
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		<description>Yep..i really love the whole dynamic of a simple interaction that emerges thanks to the incipiencies/constraints/affordances of an older materiality folding into a place where those constraints are effectively...deterritorialized There are obviously lots of ways the old model is given new legs here as well - but without (yet) sacrificing the simplicity that the original medium demanded. I&#039;ve talked alot about web2.0 and so on.....but I think it is likely a collective like this would be fractured and complicated...would lose its coherence...with the addition of those &#039;social network&#039; divergences.

In fact there is a bigger point here about the value of *coherence* in distributed, generative forms. I think Web2.0 as a design phenomena can be critiqued in a most interesting way from the perspective of &#039;generative coherence&#039; or &#039;dynamic coherence&#039; - rather than from the tedious &#039;capital v. community&#039;, &#039;public v. corporate&#039;, &#039;open/closed&#039;, &#039;read only/read write&#039; stuff that I read near everyday now.</description>
		<content:encoded><![CDATA[<p>Yep..i really love the whole dynamic of a simple interaction that emerges thanks to the incipiencies/constraints/affordances of an older materiality folding into a place where those constraints are effectively&#8230;deterritorialized There are obviously lots of ways the old model is given new legs here as well &#8211; but without (yet) sacrificing the simplicity that the original medium demanded. I&#8217;ve talked alot about web2.0 and so on&#8230;..but I think it is likely a collective like this would be fractured and complicated&#8230;would lose its coherence&#8230;with the addition of those &#8216;social network&#8217; divergences.</p>
<p>In fact there is a bigger point here about the value of *coherence* in distributed, generative forms. I think Web2.0 as a design phenomena can be critiqued in a most interesting way from the perspective of &#8216;generative coherence&#8217; or &#8216;dynamic coherence&#8217; &#8211; rather than from the tedious &#8216;capital v. community&#8217;, &#8216;public v. corporate&#8217;, &#8216;open/closed&#8217;, &#8216;read only/read write&#8217; stuff that I read near everyday now.</p>
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		<title>By: Andrew Murphie</title>
		<link>http://dynamicmedianetwork.org/collectives/ct_collective-cassette-tape-collective/comment-page-1#comment-1997</link>
		<dc:creator>Andrew Murphie</dc:creator>
		<pubDate>Sat, 07 Jul 2007 03:13:45 +0000</pubDate>
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		<description>That&#039;s really interesting Mat - I guess what I find most interesting are two things. First up, the choice to do things like this - we have the choice to move back to simplicity these days, to re-energise older parts of the media ecologies - this is where the &quot;media&quot; evolution idea doesn&#039;t necessarily make sense - there isn&#039;t necessarily a fittest way to survive. Second, however, and probably more interestingly, is the return to a complex matter - that is, something (a tape recording) in which the material form itself has a density and complexity resists the ability to do too many things with it at once ... and that might be part of the attraction.</description>
		<content:encoded><![CDATA[<p>That&#8217;s really interesting Mat &#8211; I guess what I find most interesting are two things. First up, the choice to do things like this &#8211; we have the choice to move back to simplicity these days, to re-energise older parts of the media ecologies &#8211; this is where the &#8220;media&#8221; evolution idea doesn&#8217;t necessarily make sense &#8211; there isn&#8217;t necessarily a fittest way to survive. Second, however, and probably more interestingly, is the return to a complex matter &#8211; that is, something (a tape recording) in which the material form itself has a density and complexity resists the ability to do too many things with it at once &#8230; and that might be part of the attraction.</p>
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